My artistic philosophy is deeply influenced by the vivid descriptions of scenery and imagery found in traditional Chinese poetry, where the interplay of nature and emotion creates a harmonious balance. This connection between landscape and sentiment resonates in my work, as I seek to capture not just what is seen, but also the feelings evoked by the scene.
The Impressionist movement, especially the works of Monet, has shaped my approach to light and color, encouraging me to experiment with atmospheric effects and fleeting moments. The Impressionists' focus on perception and emotion aligns with my desire to portray the subtle shifts in nature and mood.
I also draw inspiration from renowned Australian watercolorists, particularly Joseph Zbukvic, whose mastery of the medium and ability to convey depth and atmosphere with minimal strokes greatly influence my technique. Through these influences, my work seeks to blend the poetic essence of traditional Chinese art with the impressionistic embrace of light and emotion, creating pieces that speak both to the eye and the heart
